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What is Kosmic Kabbalah Art?

The word 'cosmos' refers to the physical universe seen as an orderly harmonious Whole.  The original Greek word 'Kosmos' however, refers to the Whole of all existence - in all realms - physical, emotional, mental and spiritual. The Hebrew word Kabbalah refers to the ancient mystical teachings that describe the Kosmos as an orderly harmonious Whole.

The teachings and much of the artwork presented on this site deal with Kosmic themes that are based on the Kabbalah:  Infinity, Eternity, Kosmogeny, Holy Names, Mandalas,  Sacred Geometry, Fractals, and Sefirotic Maps of the Kosmos (Tree of Life Diagrams).

 

All of the Giclee prints on canvas as well as all the prints on paper are hand-signed.  The canvas prints can be stretched and framed without glass.  The paper prints should be framed with glass.

There are some new pictures that are only now available as Giclee prints on canvas.  To view them go to 'New Works' under the 'Artworks by Subject' heading.


The first Hebrew letter - א Aleph - represents the unification of opposites.   Its shape is comprised of an upper red part (actually a Hebrew letter י Yod); a lower blue part (an upside-down י Yod); balanced by a yellow diagonal part (a ו Vav which is a prefix that means ‘and’).  It can also be seen as the numeral 1.  The two are united into One by the Vav.  The Gematria… more
One of the most complex meditative techniques of the Kabbalah uses the 72 three-letter Names of God in this picture.  These 216 letters (72 x 3 = 216) actually comprise One Name. This Name is mentioned in the Bahir and the Zohar, in Rashi’s commentary on the Talmud, but it was Rabbi Abraham Abulafia, the controversial 13th Century Kabbalist, who taught how to use this Name in order to attain… more
A vision of the Divine Merkava is described in detail in Ezekiel Chapter 1.  The Hebrew word מרכבה (Merkava) means a vehicle; or a combination (of abilities).  The Kabbalah teaches that the more one becomes aware of one’s Eternal Soul, the more one sees oneself as a Merkava for the Shechinah.  The Tree of Life Diagram in this drawing has 13 Sefirot (instead of the traditional 10)… more
To create this picture I first put down many layers of acrylic paint in a random chaotic pattern of brush strokes without any intentional plan or order.  Then I put down horizontal stripes of acrylic paint watered-down until it is transparent.  Chaos always underlies Order.  Chaos is also bigger and more interesting than Order.  The Kabbalah teaches about the Primordial World… more
The number 8 in the Kabbalah represents the Infinite and Eternal realm that is beyond - and within - our Soul, Time, and Space. The figure 8, when placed on its side, is the mathematical symbol for Infinity.  It is also reminiscent of a Möbius strip, a shape with a surface that only has one side - its inside and outside are one!  It can be constructed by affixing the ends of a… more
This picture is influenced by the amazing art of M. C. Escher.  This design is also reminiscent of Celtic Knots.  It is based on the Sacred Geometry expressed in the order of the 3 groups of the 22 Hebrew Letters - 3 Mothers, 7 Doubles and 12 Simples - found in Sefer Yetzirah.  
There are several different forms the Tree of Life Diagrams. In the ones based on the teachings of Rabbi Isaac Luria (the Ari), Daat (Knowledge) is not counted as one of the 10 Sefirot, because Daat is the ‘outside’ of Keter and the ‘inside’ of Tiferet.  Another way of saying that is, Daat is the interface between the (3 Sefirot of the) mind and the (7 Sefirot of the) body.  In those… more
I used flowers to represent the Sefirot in this Tree of Life Diagram.  Although an Aleph cannot be seen in this picture, its presence can be felt in this ‘Slanted Sefirot’ motif where the red higher Sefirot hint at the Heavens; the blue lower Sefirot hint at Earth; and the yellow diagonal hints at the Air that is between them.

THE ARTIST DAVID FRIEDMAN

I immigrated to Israel in 1977 at the age of 20, and spent two years studying Torah in Jerusalem, where I met my wife, Miriam. We got married in 1979 and moved to Zefat.

In Zefat, I mostly immersed myself in the study of the Talmud and other classic texts of Judaism as well as Kabbalah, but I continued to make art at night. 

READ DAVID'S STORY

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