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What is Kosmic Kabbalah Art?

The word 'cosmos' refers to the physical universe seen as an orderly harmonious Whole.  The original Greek word 'Kosmos' however, refers to the Whole of all existence - in all realms - physical, emotional, mental and spiritual. The Hebrew word Kabbalah refers to the ancient mystical teachings that describe the Kosmos as an orderly harmonious Whole.

The teachings and much of the artwork presented on this site deal with Kosmic themes that are based on the Kabbalah:  Infinity, Eternity, Kosmogeny, Holy Names, Mandalas,  Sacred Geometry, Fractals, and Sefirotic Maps of the Kosmos (Tree of Life Diagrams).

 

All of the Giclee prints on canvas as well as all the prints on paper are hand-signed.  The canvas prints can be stretched and framed without glass.  The paper prints should be framed with glass.

There are some new pictures that are only now available as Giclee prints on canvas.  To view them go to 'New Works' under the 'Artworks by Subject' heading.


Rabbi Isaac Luria (known as the Ari) described the Ten Sefirot in great detail in a way known as Partzufim (Faces of God).  This how Prophets and Kabbalists see God in their own likeness and form.  And since humans come in many forms - Masculine and Feminine, Young and Old - the Partzufim are seen in all of these forms.  In this picture, the blue square symbolizes the… more
The red Shin ש represents Fire אש (aiSh) in Hebrew, thus, it rises up like fire;  the blue Mem מ represents Water מים (MahyiM) in Hebrew, thus, it flows downward like water.  The sounds of these 2 Letters are also opposites -  the outward hissing of Shhh.... and the inward humming of Mmmm... The yellow  between them also surrounds them both.  It represents the… more
There is a small grove of ancient olive trees outside of Zefat.  It is about a fifteen-minute walk from my house, after two or three hairpin turns on the dirt road that goes down to Wadi Amud.  I used to like to sit in this grove surrounded by these ancient trees and meditate or study Kabbalah.  These trees were certainly here when Rabbi Isaac Luria was in Zefat in the 16th Century… more
This is a recent abstract painting of mine, acrylic on paper.  I like the play of colors here as well as the feeling of movement and energy. Many of my pictures are about light and colors - which are vibrations of light.  The entire spectrum of visible light is just a small part of electromagnetism which is spoken of in science as electromagnetic 'fields'.  This picture has the… more
This pictures looks like something one might see under a microscope, thus the title - Microkosmic.  To me it looks like cells that have a fractal nature - self-similar but in different sizes.  Some of the cells also contain several smaller self-similar cells.  The round shapes also evoke a coronavirus, that is challenging our planet in 2020.
This is an imaginary landscape I made with many layers of watered-down acrylic paint.  It has the feeling of a pastoral scene here in the Galilee, and the choice of colors was definitely influenced by the local landscape.  There are no hidden symbols and nothing Kabbalistic here. 
Some people see this picture as stars in space, but I see it as subatomic particles, quanta.  That is why I named it Quantum Uncertainty. According to the Kabbalah, everything created  - whether large or small is relative and subjective.  Only God is Absolute and Unlimited.  Even the totality of Space is 'tiny' compared to the Divine Infinity; and even the particles that… more
"10 Sefirot of Nothingness: Their end is embedded in their beginning and their beginning is embedded in their end like a flame tied to a burning coal For the Master is Singular, He has no second and before One what do you count?" (Sefer Yetzirah)   A common meditative technique in the Kabbalah is to contemplate the flame of a burning lamp.  Our soul is likened to the energy of the… more

THE ARTIST DAVID FRIEDMAN

I immigrated to Israel in 1977 at the age of 20, and spent two years studying Torah in Jerusalem, where I met my wife, Miriam. We got married in 1979 and moved to Zefat.

In Zefat, I mostly immersed myself in the study of the Talmud and other classic texts of Judaism as well as Kabbalah, but I continued to make art at night. 

READ DAVID'S STORY

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